Amsallem's trio in this case conjoins him with his familiar partner Johannes Weidenmuller on bass and relative newcomer (for him, anyway) Joe Chambers on drums. The latter plays an important role in organizing a distinct sound here. On “Tom's Tune,” for example, he lends a gentle percolating swing that sways and bobs but absolutely never lets go of timekeeping. Never busy, never aggressive, never in your face, Chambers burbles along in the background with enough perk and interaction to keep the pace interesting.

Likewise, Weidenmuller swings away on the bass, though he also comes across comfortable setting up more relaxed pulsing lines during quiet moments (as on “Laila's”). But the real star here, without a doubt, is the pianist. He fits less than perfectly into the mold of modern jazz pianist, deeply respectful of tradition but with a surprisingly limber and open feel, top to bottom. Melodic without dragging themes out, restless but genteel, he's not too far away from Keith Jarrett or other ECM pianists.

Amsallem's personal niche is a warm and inviting one. His liner notes admit that the ”piano in my hands is mightier than the pen” (a humble assertion within that context). Mighty might not be the word I'd use, but Summer Times has its own reserved strength, and to be honest it's a welcome treat in the fading weeks of the sunny season. “Summertime” is a familiar experience, but it's different each time around.

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~ Nils Jacobson