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THE SHORT STORY
Franck Amsallem has been
a professional pianist and composer for over 30 years. As a leader he
has released eight cds under his name, all of which have
received rare critical acclaim, as well as a major collaboration on
Blue Note "New York Stories". His sideman credits have included some
of the great names in jazz: Gerry Mulligan, Charles Lloyd, Gary Bartz,
Sonny Fortune, Bobby Watson, Jerry Bergonzi, Rick Margitza, Tim
Ries, Joe Chambers, Maria Schneider, Blood Sweat and Tears, and Harry
Belafonte. He has played many venues throughout the U.S. and Europe
including the Village Gate, the Knitting Factory, Birdland, Blues
Alley,
Sweet Basil, Pizza Express (London), Porgy and Bess (Vienna), the Pori,
Molde, Red Sea, Parc Floral de Paris, Nice and Antibes Jazz Festival
(where he
shared the bill with Earth Wind and Fire). The recipient of major
awards (NEA composition fellowship, ASCAP award for young composers,
Fondation de la Vocation) in both the USA and
France, Franck recently toured throughout Germany, Mexico, Central
America,
South America and South Africa, as well as major concerts in Holland,
Portugal, Israel, Croatia, Spain, the Czech republic, Armenia
and Lebanon. As a composer, he has worked with the National Jazz
Orchestra of France, the Mel Lewis jazz Orchestra, the WDR, and several
symphony orchestras
2008/9 tours
include China (solo), Algeria, Holland/Belgium, Israel, a 5-city
tour of Peru and a solo concert in Vilnius. Franck was a featured
performer at the Jazzavienne festival in a 6-piano
program with Martial Solal, then returned to Algiers with his trio. His
newest opus "Amsallem Sings"
showcases his talents as a pianist-singer, featuring 12 songs from the
Great
American Songbook.
THE LONGER STORY
Franck Amsallem was born in 1961 in Oran (Algeria), and then grew up in
Nice, France. His parents, having repatriated the family piano,
started him on classical piano at seven, which he gave up a few years
later. The large family, the cramped apartment weren’t at all
propitious surroundings for the old teacher’s stale lessons. Still,
however, the family owned a large collection of 45 RPM records where
Ray
Charles mixed with Glenn Miller and the Four Tops. In all logic then,
he was seduced in adolescence, by the sound of the blues and swing and
started taking music lessons at the Nice Conservatory where, considered
too old for the piano (!), he signed up for classical saxophone and
soon earned a first prize.
But the piano remained his first love. Soon the news
spread on the Cote d’Azur, and he worked in Monte Carlo, learning
hundreds or maybe thousands of jazz standards, "I have always, above
all, loved all American music," and in 1979, at 17 years of age, John
Lewis
chose him to be his student for a French documentary "La leçon
de musique". Having jammed offstage at the Nice jazz festival with
Jerry Bergonzi, Mike Brecker, Arnie Lawrence and Richie Cole, he was
then encouraged to
move to the USA to hone his skills and learn. He made the move without
a blink and entered Berklee College in 1981. "At 19, I did not see myself backing up
pop singers in Paris and playing jazz on the side, which was what
everyone was doing then. Like the song says, it was All or Nothing at
All."
Franck stayed three years in Boston and earned
numerous awards, performing in Herb Pomeroy’s big band and attending
his composition and arranging classes. Still the longing for more
excitement was always there and at the beginning of 1986, he moved to
New York City.
"There
are
many
good pianists out there, but good pianists who are equally good
composers — that is what makes the difference". He then took,
with Bob Brookmeyer at the Manhattan School of Music, lessons in
composition for jazz orchestra, and lessons in classical piano with
Phil Kawin. Their influence stayed with him for a long time. And the
experience added up, the true New York Jazz Experience, as an
accompanist, and then as a leader. To learn the art form of jazz like
the greatest have done it before you. To confront your skills with the
best musicians of their time. 2nd prize at Jacksonville’s Great
American Jazz competition (3rd prize goes to Brad Mehldau).
”All that was great, but a career as a
leader was just too tempting.” In 1990, at 28 years of age with
the help of the Fondation de la Vocation and a fellowship from the
National Endowment for the Arts, Franck records “Out A Day” a trio with Gary
Peacock and Bill
Stewart. Critics are laudatory; “There is every reason to expect
excellence from this young pianist, still in his twenties, who prepared
with such discipline for his first recording opportunity. The promise
of good things to come is based on the considerable appeal of this
recommended CD (Cadence)". “We are in danger of gushing and
embarrassing ourselves. Sample this wonderful recording at all costs
(Penguin guide to jazz , 4 stars -top-rating-)”. Next, Franck
participates in the all-stars gathering "New York Stories" with Joshua
Redman, Bobby Watson, Roy Hargrove and
Danny Gatton. Then came a long collaboration with saxophonist Tim Ries. “Regards”
earned four stars in Down beat, and
JazzTimes found
the CD “compelling”. “Is That So”, a duo reinforced by the equal
participation of Leon Parker, is noted in the French press by the Inrockuptibles, and so does “Years
Gone By”, with Daniel
Humair and Riccardo Del Fra. “On Second Thought” is heralded as a
CD of rare intensity, a live
recording from a working band where everything comes together
successfully without a hitch.
Franck has performed in
many of the big festivals,
from Antibes to Pori, Nice to Molde and has backed Gerry
Mulligan, Charles Lloyd and Harry Belafonte, recorded with
Bobby Watson, Roy Hargrove or Joshua Redman, performed in the bands
of Maria Schneider, Rick Margitza, Jerry Bergonzi and Joe Chambers, has
composed numerous pieces for big band, including a recent commission
from the WDR, and pieces for strings and for chamber
orchestra. His suite "Nuits" for jazz quartet and string orchestra has
been performed in Romania, Bulgaria, France and in Los Angeles. "I love the
variety of situations,
learning as you go along, challenging every solution, nothing ever
preset."
In the fall of
2003, Franck
returned to the
trio with "Summer Times" (Nocturne/Sunnyside) featuring Johannes Weidenmuller on bass and Joe Chambers on drums. Jazzman ("This recording aims for a
perfect balance in every sense of the word"), Telerama,
JazzTimes
("...laid-back
yet brash, simple yet complex, unassuming yet confident and above all
original') all praise the new effort. In the fall
of 2005,
Nocturne
released "A Week In Paris", a Billy
Strayhorn
tribute featuring Elisabeth Kontomanou, Rick Margitza and Stephane
Belmondo ("disque d'emoi" jazz magazine, 4 stars Jazzman). In
the last few years, Franck has performed in the US (Washington D.C.,
Chicago, Houston, Dallas, NYC), Canada, a nine-city
tour of South Africa and neighboring countries, Israel, China, Holland,
Belgium, Croatia, Portugal, Spain, Armenia, Lebanon, Mexico, Algeria,
Peru, Lithuania
and a five-country tour of Central
America. From solo to symphony orchestras, as well as big and small
bands, and frequently collaborates with local musicians.
Franck's newest cd, "Amsallem
Sings"
is a solo piano with vocals featuring 12 songs from the Great American
Songbook.
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