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THE
SHORT STORY
Franck Amsallem
has released eight CDs under his name, as well as
a major collaboration on Blue Note, "New York Stories",
and has
been on the scene as a pianist and composer for over 35
years. While living in NY, his sideman credits included some of
the greatest names in jazz and beyond: Gerry Mulligan,
Charles Lloyd, Jerry Bergonzi, Joe Chambers, Maria Schneider, as
well as Gary
Bartz, Sonny Fortune, Bobby Watson, Rick Margitza,
Tim Ries, Blood Sweat and Tears, and Harry
Belafonte. He has played many of the most important
venues and festivals throughout the U.S. and Europe,
including the the Pori, Molde, Red Sea, Parc Floral de
Paris, Nice, and Antibes-Juan-les-pins Jazz Festival.
The recipient of major awards (NEA composition
fellowship, ASCAP award for young composers, Fondation
de la Vocation, FACE cultural exchange) in both the U.S.
and France, Franck has toured Germany, Mexico, Central and South
America, South Africa, as well as performing major
concerts in Holland, Portugal, Israel, Croatia, Spain,
the Czech republic, Armenia, Bahrein and Lebanon. As a
composer, he has conducted the WDR and written for the National Jazz
Orchestra of France (O.N.J.), the Mel Lewis Jazz
Orchestra, and several symphony orchestras.
In
2002, Franck returned to France and settled in Paris.
Recent tours include 23 concerts in Latin America, the
Emirates, a five-city tour of China (solo), Algeria,
Holland, Belgium, Israel, Portugal, Peru and a solo
concert in Vilnius. Franck was a featured performer at
the JazzaVienne festival in a six-piano program composed
by Martial Solal, and was then invited a second time to
Algiers with his trio. His newest opus, "Amsallem
Sings", showcases his talents as a pianist-singer,
featuring 12 songs from the Great American Songbook.
THE LONGER STORY
Franck Amsallem was
born in 1961 in Oran, Algeria, and grew up in Nice,
France. His parents, having repatriated the family
piano, started him on classical piano at the age of
seven, but he gave them up a few years later. The large
family and the cramped apartment weren’t at all
propitious surroundings for the old teacher’s stale
lessons. Still, the family owned a large collection of
45 RPM records where Ray Charles mixed with Glenn Miller
and the Four Tops. In all logic then, he was seduced in
adolescence, by the sound of the blues and swing, and
started taking music lessons at the Nice Conservatory
where, considered too old for the piano (!), he signed
up for classical saxophone and soon earned a first
prize.
But the piano
remained his first love. Soon the news spread on the Cote
d’Azur, and he worked in Monte Carlo, learning hundreds,
maybe thousands, of jazz standards — "I have always, above all,
loved all American music," — and in 1979, at 17
years of age, John Lewis chose him to be his student for a
French documentary, "La leçon de musique". Having
jammed offstage at the Nice jazz festival with Jerry
Bergonzi, Mike Brecker, Arnie Lawrence and Richie Cole, he
was then encouraged to move to the U.S. to hone his skills
and learn. He made the move without a blink and entered
Berklee College in 1981.
"At 19, I did not see myself backing up pop singers in
Paris and playing jazz on the side, which was what
everyone was doing then. Like the song says, it was All
or Nothing at All."
Franck stayed three
years in Boston and earned numerous awards, performing in
Herb Pomeroy’s big band and attending his composition and
arranging classes. While at Berklee Franck didn't study
jazz piano, in Boston or elsewhere:
"I think I took only one
jazz piano lesson and didn't particularly enjoy it, in
other words whatever I had to discover would have to be
on my own". Still the longing for more excitement
was always there and at the beginning of 1986, he moved to
New York City and attended the Manhattan School of Music
where he earned a Master's degree in composition.
"There are many good
pianists out there, but good pianists who are equally
good composers — that is what makes the difference".
He took lessons with Bob Brookmeyer a major mentor,
and studied classical piano with Phil Kawin. Their
influence stayed with him for a long time. And the
experience added up, the true New York Jazz Experience, as
an accompanist, and then as a leader. "To learn the art form of
jazz like the greatest have done before you. To confront
your skills with the best musicians of their time". Franck
won second prize at Jacksonville’s Great American Jazz
competition.
”All that was great, but a
career as a leader was just too tempting.” In
1990, at 28 years of age, with the help of the Fondation
de la Vocation and a fellowship from the National
Endowment for the Arts, Franck records “Out A Day”, a trio with Gary
Peacock and Bill Stewart. Critics are laudatory; “There
is every reason to expect excellence from this young
pianist, still in his twenties, who prepared with such
discipline for his first recording opportunity. The
promise of good things to come is based on the
considerable appeal of this recommended CD (Cadence)".
“We are in danger of gushing and embarrassing ourselves.
Sample this wonderful recording at all costs" (Penguin
guide to jazz, 4 stars - top-rating). Next, Franck
participates in the all-star gathering "New York Stories" with Joshua Redman, Bobby Watson, Roy Hargrove
and Danny Gatton. Then comes a long collaboration with
saxophonist Tim Ries. “Regards”
earns four stars in Down Beat, and JazzTimes found
the CD “compelling”. "Is
That So", a duo reinforced
by the equal participation of Leon Parker, is noted in
the French press by the Inrockuptibles, and as is
“Years Gone
By”,
with Daniel
Humair and Riccardo Del Fra. “On Second Thought” is
heralded as a CD of rare intensity, a live recording
from a working band where everything comes together
successfully without a hitch.
Since then,
Franck has performed in many of the major festivals,
from Antibes to Pori, Nice to Molde and has backed Gerry
Mulligan, Charles Lloyd and Harry Belafonte, recorded
with Bobby Watson, Roy Hargrove and Joshua Redman,
performed in the bands of Maria Schneider, Rick
Margitza, Jerry Bergonzi and Joe Chambers, has composed
numerous pieces for big band, including recent
commissions from the WDR, and pieces for strings and for
chamber orchestra. His suite "Nuits" for jazz quartet
and string orchestra has been performed in Romania,
Bulgaria, France and Los Angeles. "I
love the variety of situations, learning as you go
along, challenging every solution, nothing ever preset."
In
the fall of 2003, Franck returned to the trio with "Summer Times"
(Nocturne/Sunnyside),
featuring
Johannes Weidenmuller on bass and Joe
Chambers on drums. Jazzman ("This recording
aims for a perfect balance in every sense of the
word"), Telerama, JazzTimes ("...laid-back yet
brash, simple yet complex, unassuming yet confident
and above all original') all praise the new effort. In the fall of 2005, Nocturne released "A Week In Paris", a Billy Strayhorn tribute featuring Elisabeth
Kontomanou and Stephane Belmondo ("disque d'emoi" jazz
magazine, 4 stars Jazzman). In the last few years, Franck has
performed in the USA, Canada, a nine-city tour of
South Africa and neighboring countries, Israel, China,
Holland, Belgium, Croatia, Portugal, Spain, Armenia,
Lebanon, Mexico, Algeria, Peru, Lithuania and a
five-country tour of Central America. From solo to
symphony orchestras, as well as big and small bands,
and collaborations with local musicians.
Franck's newest CD, "Amsallem Sings", is a solo piano with
vocals featuring 12 songs from the Great American
Songbook. The recording has been hailed by Jazztimes and Allaboutjazz, and
Franck was the feature of a one-hour program on WBGO,
TSF, and France-Musique.
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